As we commemorate the 91st birthday of Malayalam literature's all-time revered figure M T Vasudevan Nair, it is an opportune moment to reflect on his portrayal of women through some of his iconic movie scripts. MT's cinematic narratives have consistently showcased a deep understanding of human emotions and societal nuances, particularly in how he depicted female characters.
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Let's explore his treatment of women in five notable films penned down by him: ‘Aalkkoottathil Thaniye’, ‘Aranyakam’, ‘Nakhakshathangal’, ‘Daya’ and ‘Panchagni’.
Ammukutty in ‘Aalkkoottathil Thaniye’
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Aalkkoottathil Thaniye’ (Alone In a Crowd) is a 1984 Malayalam film directed by I V Sasi and written by none other than MT, starring Seema along with Mammootty and Mohanlal. Throughout the life, Ammukutty, played by Seema, embodies the poignant loneliness that often accompanies unrequited love and sacrifice. Despite being surrounded by family and acquaintances, Ammukutty's heart remains distant and isolated, forever marked by the unfulfilled romance with Rajan (Mammootty), the man she loved deeply.
Her decision to live alone and dedicate herself to her career as an elementary school teacher reflects her resilience and inner strength, yet her solitude is palpable. Even when entrusted with caring for Rajan's son, Babumon, Ammukutty finds solace in the child's company. However, she remains emotionally detached, harbouring a silent sorrow that shapes her interactions with others. Ammukutty's journey is a moving reminder of the enduring ache of lost love and the quiet resilience of those who choose to live with unspoken regrets.
Ammini in ‘Aranyakam’
Directed by Hariharan and released in 1988, ‘Aranyakam’ (The Forest) is a touching exploration of 16-year-old girl’s vibrant and curious personality. Ammini, portrayed by actress Saleema, emerges as a unique and memorable character in Malayalam cinema. Ammini’s deep love for nature and a penchant for imaginative pursuits such as writing imaginary letters to famous figures is something which was never depicted before. Her eccentricities and unconventional interests set her apart, making her one of the few quirky female characters in the film industry even to this day.
Ammini's character is defined by her independent spirit and resilience in the face of adversity. She finds solace and inspiration in the forests she loves to explore, contrasting sharply with the oppressive feudal system and exploitation of Adivasis portrayed in the film. Amidst the complexities of Naxalism and resistance movements unfolding around her, Ammini navigates her own journey of self-discovery and awakening.
Her relationship with Mohan (played by Vineeth), who sees and appreciates her brilliance unlike others, adds depth to her character. Despite the tragic turn of events where Mohan meets an untimely death intended for her uncle, Ammini remains a symbol of youthful idealism and courage. The loss of both Mohan and the Naxalite (Devan) who inadvertently changes the course of her life, leaves Ammini with a profound sense of loss and disillusionment. Yet her spirit remains unbroken.
Ammini's portrayal in ‘Aranyakam’ underscores her as more than just a protagonist; she represents a voice of dissent against injustice and a testament to the resilience of youth in the face of systemic oppression. Her character resonates for its authenticity and depth, encapsulating the complexities of innocence, rebellion, and the harsh realities of societal struggle.
Gowri in ‘Nakhakshathangal’
Released in 1986 and directed by Hariharan and written by MT, ‘Nakhakshathangal’ is a poetic exploration of love, loss, and longing. Gowri (Monisha) and Lakshmi (Saleema) are portrayed as contrasting yet deeply intertwined characters, each navigating their own emotional journeys amidst the complexities of love, loss, and societal expectations.
Gowri, initially introduced as a 15-year-old girl visiting Guruvayoor with her grandmother, exudes a youthful innocence and warmth. Her love for Ramu (Vineeth), sparked during their brief encounter, persists even as circ*mstances separate them. Despite her heartache and unfulfilled longing, Gowri embodies strength and unwavering support for Ramu and later, for Lakshmi. She serves as a pillar of emotional strength, gently nurturing Lakshmi's fragile happiness while grappling with her own unrequited love.
Lakshmi, the lawyer's deaf and mute daughter, is portrayed with depth and complexity. Initially presented as withdrawn and isolated, Lakshmi undergoes a transformation upon Ramu's arrival into their lives. Her attachment to Ramu grows from friendship to love, illuminating her longing for companionship and emotional connection. However, as her relationship with Ramu unfolds amidst misunderstandings and heartbreak, Lakshmi's vulnerability and insecurities surface. Her journey is marked by moments of intense emotion—joy, jealousy, and ultimately, profound sorrow—as she navigates the complexities of love and acceptance.
Both reflect the complexities of human relationships and the depths of longing and loss. Their interactions throughout the narrative reveal their inner strengths and vulnerabilities, making them compelling and memorable characters in the poignant tale of ‘Nakhakshathangal’.
Daya in ‘Daya’
Directed by Venu and released in 1998, ‘Daya’ is a compelling narrative that revolves around Daya (played by Manju Warrier), a woman who finds herself entangled in the lives of those around her. MT’s script explores Daya's selflessness and unwavering compassion, portraying her as a pillar of strength amidst personal turmoil.
The character of Daya emerges as a captivating embodiment of intelligence, resilience, and courage. From her humble beginnings as a lively and intelligent slave girl to her transformation into a revered minister in a foreign kingdom, Daya's journey is marked by her unwavering determination and sharp wit. Despite facing numerous trials and betrayals, Daya navigates each challenge with remarkable poise. Her ability to adapt, whether as a slave girl using her intelligence to impress the court or as a disguised man proving her mettle in royal tests, showcases her multifaceted personality and strength of character. Daya's unwavering loyalty to Mansoor and her strategic prowess in overcoming adversaries underscore her as not only a symbol of empowerment, but also a beacon of hope and justice in a world dominated by male authority. Her ultimate triumph, earning forgiveness and respect from the king and her community, solidifies Daya as a timeless heroine whose legacy transcends gender norms and societal expectations.
Indira in ‘Panchagni’
Last but not least. Released in 1986 and directed by Hariharan and written by MT, Panchagni is a powerful portrayal of societal injustices and personal redemption. The film features Indira (played by Geetha), a woman who confronts the oppressive forces of casteism and patriarchy. MT’s script illuminates Indira's resilience and defiance, depicting her journey towards self-liberation and social justice. Through Indira’s narrative, MT challenges entrenched norms and champions the cause of women's empowerment. Indira is regarded as one of the boldest female characters in the history of movies across the globe.
Transcending stereotypes
M T Vasudevan Nair's depiction of women in Malayalam cinema transcends stereotypes and cliches, offering nuanced portrayals that resonate with authenticity and empathy. His scripts celebrate the strength, resilience and complexity of female characters, inviting audiences to reflect on the multifaceted roles women play in society.
Through films like ‘Aalkkoottathil Thaniye’, ‘Aranyakam’, ‘Nakhakshathangal’, ‘Daya’ and ‘Panchagni’, Vasudevan Nair has left an enduring legacy that continues to inspire and provoke thought, ensuring his place as a trailblazer in Indian cinema. MT has enriched Malayalam cinema with a repertoire of female characters who defy convention and embody resilience, leaving an indelible mark on the hearts and minds of audiences worldwide.
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